Organizers

• Cathy Ann Elias (Chair), DePaul University elias@cs.uchicago.edu;
  
• Alice V. Clark, Loyola University, New Orleans mollk@mail.ecu.edu
• Kevin N. Moll, East Carolina University avclark@loyno.edu

Business Meeting with cash bar

All interested scholars are welcome.

Session 49: Across the Carolingian Divide: Gregorian and Non-Gregorian Chant
Thursday May 6, 10:00 AM, Bernhard 215

Presider: James Borders, University of Michigan

• The Rite Way of Comparing the Old Roman and Gregorian Chant Traditions

  Joseph Dyer, Independent Scholar

• "Messine Chant and the Lotharingian Axis"

  Lori Kruckenberg, University of Oregon

• The Transmission of the Proses Timbeant, Templum et Locum and Christus moriturus

  Clyde W. Brckett, Christopher Newport University

Session 112: Recreating and Transmitting Music I
Thursday May 6, 1:30 PM, Bernhard 215

Presider: Linda Page Cummins, University of Alabama.

• How Much Did Early Lutherans Really Participate in the Liturgy?

  Joseph Herl, Concordia University, Nebraska

• Reconstructing a North German Vespers according to the Psalmodia of Lucas Lossius (1153, 1561)

  Anne C. Middendorf, Concordia University, Nebraska.

• On the Cusps of the Print and Manuscript Cultures: Manuscript Repertories and Antico's Liber quindicem missarum of 1516

  Mitchell P. Brauner, University of Wisconsin-Milwaukee

Session 178: Recreating and Transmitting Music II
Thursday May 6, 3:30 PM, Sangren 2210

Presider: Cynthia J. Cyrus, Vanderbilt University.

• The Office for St. Andrew, Patron Saint of Scotland

  Greta-Mary Hair, University of Edinburgh

• The Evidence for Medieval Singing Style

  Timothy J. McGee, University of Toronto

• Becoming Magistri Cantorum

  Sarah Carleton, University of Toronto

• Performance: Schola experientia (directed by Sarah Carleton and Luis Garcia)

  Luis Garcia, University of Toronto

Session 232: The Medieval Musical World, Theoretical and Practical Issues
Friday May 7, 10:00 AM, Bernhard 215

Presider: Jan Herlinger, Southern Methodist University

• Deliquent Descorts

  Judith A. Peraino, Cornell University

• The Musical World of Medieval Amiens outside the Cathedral

  Gretchen Peters, University of Wisconsin-Eau Claire

• Harmonic and Irrational Numbers: Cosmic Music and Late Fourteenth-Century Mathematical Speculations

  Gabriela Ilnitchi, Eastman School of Music

Session 297: How to Copy Right: Reusing Music
Friday May 7, 1:30 PM, Sangren 2301

Presider: Elizabeth Randell Upton, University of California-Los Angeles

• If You Please: Eight Brief Rules for Composing a Si Placet Altus

  Adam Knight Gilbert, Stanford University

• Imagery in Thirteenth-Century Bilingual Motets

  Kimberly Harris, University of Louisville

• Dissemination and Transformation: The Corpus Christi Office in Northern Europe

  Vincent Corrigan, Bowling Green State University

• Fuzzy Set Theory and Diffusion: Multiple Versions of the Liturgy for the Feast of Corpus Christi

  Barbara R. Walters, Kingsborough Community College, CUNY

Session 334: Iconography and Music: The Citole
Friday May 7, 3:30 PM, Fetzer 1060

Presider: Lewis Jones, London Metropolitan University

• Iconography and Comparative Morphology in the Study of Citoles

  Alice Margerum, London Metropolitan University

• An East Anglian Origin for the British Museum Citole (Gittern)

  Kate Buehler-Mc Williams, Independent Scholar

• Twenty Years of Citole Research

  Crawford Young, Schola Cantorum Basiliensis

Session 406: Music Theory In and Out of Context
Saturday May 8, 10:00 AM, Sangren 2201

Presider: Kevin N. Moll, East Carolina University

• The Bergamo Redaction of Divina auxiliante gratia

  Linda Page Cummins, University of Alabama

• Conveying a New Formulation with Old Terms: Marchetto of Padua's Theory of Modal Ranges

  Jay Rahn, York University

• When Humanism Didn't Help: The Term Hexacordum in Renaissance Music Theory

  Stefano Mengozzi, University of Michigan-Ann Arbor

Session 566: Music in Ecclesiastical Institutions
Sunday May 7, 8:30 AM, Fetzer 1055

Presider: Cathy Ann Elias, DePaul University

• Minor Canons and Musical Life at the Cathedral of Lié ge, 1203-1500

  Catherine Saucier, University of Chicago

• The Choir of Saint-Martin of Tours and Its Evolution in the Thirteenth and Fourteenth Century

  Yossi Maurey, University of Chicago

• Clerical Reform at the Lucca Cathedral and the Origins of Ordo Officiorum

  Benjamin Brand, Yale University

Session 599: Women and Music
Sunday May 9, 10:30 AM, Fetzed 1055

Presider: Vincent Corrigan, Bowling Green State University

• The Consecration of Virgins and the Changing Role of Plainchant in the Middle Ages

  James Borders, University of Michigan-Ann Arbor

• Women's Libraries: Monasitc Collections from Women's Houses in Germany

  Cynthia J. Cyrus, Vanderbilt University

• The Role of Cantrix in Late Mediaval English Nunneries

  Anne Bagnall Yardley, Drew University.

This is an informal compilation. We apologize for any omissions.

The International Machaut Society has several sessions at the Congress:
Session 458, Machaut and the Medieval Lyric, Saturday, May 8, 1:30 PM, Bernhard 105
and Session 517, Machaut and the Fourteenth-Century Mass Saturday 3:30 PM, Bernhard 105

The Mittelalter-Zentrum, U. Salzburg sponsors a session on the Niebelungenlied (Session 47, Thursday 10:00 AM, Bernhard 212), and an informal performance by Eberhard Kummer (U. Salzburg) at the Garneau Lounge of Valley II Thursday 7:30 PM

There are several sessions on Hans Sachs, "Revisiting Hans Sachs I and II", organized by Albrecht Classen (sessions 96 and 159)

Session 392 (Saturday 10:00 AM, Fetzer 1060), organized by Vincent Corrigan is on "Medieval Song."

Session 483 (Saturday 3:30 PM, Sangren 3205) is on "Games, Music, and Festival"

Session 536 (Saturday 3:30 PM, Sangren 2302) is on the Pastourelle.

Thursday 10:00 AM

Session 46, "Monumenta Liturgica Beneventana" (Bernhard 211) has a paper on "Sanctus Deus and Ecce Nubes, Two Benevetan Masses ..." and one on "The Missal of Kotor"

Session 117 (Sangren 2301) has a paper on "Strains of Elvish Song and Voices: Victorian Medievalism, Music and Tolkien".

Thursday 3:30 PM

Friday 8:30 AM

Friday 10:00 AM

Session 227 "Siena Cathedral: Art, History and Devotion" (Bernhard 208) has a paper on "Music and Devotion in Siena Cathedral in the late Quattrocento: The Marian Motet Cycles of the Siena Choirbook"

Session 230 "Medieval Drama" (Bernhard 212) has a paper on "Movable Feasts, Marching Bands, and Mary: ..."

Friday 3:30 PM

Session 324 (Valley I 106) has a paper "Les deux amans: A Reconstruction of the Performance of a Twelfth-Century Lai"

Session 335 "Hildegard von Bingen's Bridges to Infinity" (Fetzer 2016) has papers with musical content.

Session 346 (Bernhard 157) has a paper on "Bede's Rhetoric and Gregorian Chant".

Saturday 1:30 PM

Session 467 "Tristan and the Arts" (Bernhard 215) has a paper on "Tristan and Music", and one on "Tristan Without Wagner: ...:

Saturday 3:30 PM

Session 501, "Sydney III" (Valley 1 102) has a paper on "Teaching us how to sing? Revising the Sydney Psalter."

Session 524 "Good (and not so good) Women in Italy" (Bernhard 212) has a paper on "Virtuous Travelers, Immoral Entertainment ..." by Cathy Ann Elias.

Session 530 "Medieval Sermon Studies III" (Sangren 2204) has a paper on "Musico-Rhetorical Methodology in Medieval German Franciscan Homiletics."

Session 531 "Topics in Anglo-Saxon History" (Sangren 2205) has a paper on "The Early Anglo-Saxon Choir School."

There will be several excellent musical performances. Besides the ones advertised in the program, the Gilmore Keyboard Festival is still in the area. Please see details at their website.

For comments about this website, or questions about Musiclogy at Kalamazoo, send email to Cathy Ann Elias elias@cs.uchicago.edu