Organizers

• Alice V. Clark (Chair), Loyola University, New Orleans
  avclark "at" loyno.edu
• Cathy Ann Elias, DePaul University
  elias "at" cs.uchicago.edu
• Kevin N. Moll, East Carolina University
  mollk "at" mail.ecu.edu

Business Meeting with cash bar

All interested scholars are welcome.

Session 44 Music and Spirituality

Presider: Linda P. Cummins, University of Alabama

• Ring Around the Rosary -- A Game of Circular Influence: The Cantigas de Santa Maria and Medieval Serial Marian Devotion

  Michael J. Malone, University of Texas at Austin.

• Music as a Source for Spirituality and Guidance in Medieval Tuscan Feuds

  Cathy Ann Elias, DePaul University.

• Music Theory and Religious Reform in 15th-Century Italy

  Stefano Mengozzi, University of Michigan.

Session 115 Medieval Music and its Manuscript Traces

Presider: Elizabeth Randell Upton, UCLA.

• Counting Our Losses: The Missing Polyphonic Works of the Trecento

  Michael Scott Cuthbert, Harvard University and American Academy in Rome

• Political Allegory in Tonal and Functional Unity of Motet Cycles in the Manuscript Torino J.II.9

  Masataka Yoshioka, University of North Texas

• Jerusalem, convertere: The DeQuadris Lamentations of Jeremiah, Renaissance Tuscany, and a New Manuscript Source

  Timothy J. Dickey, University of Iowa

Session 174 Music and Medievalism

Presider: Lawrence Earp, University of Wisconsin-Madison.

• Medievalism and the Performance of Early Music

  Elizabeth Randell Upton, UCLA.

• Holy Minimalism and the Collapse of Modernity

  Mitchell Morris, UCLA.

• Mass by G. de Machaut as a paradigm for the contemporary works of music

  Oleh Harkavyy, National Union of the Composers of Ukraine.

Session 303 Chant East and West, and North and South

Presider: James Borders, University of Michigan

• Cross References in Byzantine and Gregorian Modality

  Luca Ricossa, Conservatoire de Geneve and Schola Cantorum Basiliensis,

• Between East and West: The Liturgical Repertory in Prague Cathedral

  Hana Vlhova-Worner, Charles University, Prague, and Stanford University.

• The Pious and the Pure: Engaging *More than Musicology* in the Study of Plainchant

  Daniel J. DiCenso (University of Pennsylvania)

Session 414 Theories of Medieval Music

Presider: Kevin N. Moll, East Carolina University.

• Alcuin, Aurelian, John Cotton and Bill Gates: The Origins of the Neumes.

  Neil Moran, University of Toronto.

• The Analytical in the Notation of St. Gall 381/484

  Sabra Statham, Graduate Center, CUNY.

• The Modality of Two chansons of Guillaume Du Fay.

  William Peter Mahrt, Stanford University.

Session 469 Source Studies

Presider: Rebecca A. Baltzer, University of Texas at Austin

• Music in the Court of Flanders

  Mary E. Wolinski, Western Kentucky University

• Did Tinctoris Listen to Okeghem? Questions of Textuality and Authority in the Late Fifteenth Century

  Ronald Woodley, Birmingham Conservatoire, University of Central England.

• Exploring the Spatial Aspect of Late-Medieval Polyphony

  Kevin N. Moll, East Carolina University.

Session 524 Women and Medieval Music

Presider: Alice V. Clark, Loyola University New Orleans.

• To Hell and Back: Liturgical Reenactments of the Harrowing of Hell and Resurrection from Two German Convents

  Alison Altstatt, University of Oregon.

• Women Worshipping in Brussels: A Fourteenth-Century Processional at Columbia University

  Karen Hiles, Columbia University.

• Mal Maritz and Bels Amics: Jealousy and the Female Voice in Old Occitan and Old French Lyric

  Alice Cooley, University of Toronto.

Session 582 Words and Music

Presider: Cathy Ann Elias, DePaul University

• An Insight into the Compositional Technique of Notker Balbulus.

  Jonathan Davis-Secord, University of Notre Dame.

• The Rhymed Sequences for St. Lawrance O' Toole

  Sarah Casey, Chatham College.

• Raucis planctu vocibus: Lament as Process in Abelard's Dolorum solatium

  Rachel Golden Carlson, University of Tennessee Knoxville.

Session 623 Reduce, Reuse, and Recycle: Citation, Gloss, and Quotation

Presider: Cathy Ann Elias, DePaul University.

• Martini and Josquin: A Case of Mutual Influence?

  Murray Steib, Ball State University

• Motive, Allusion (and Attribution?) in Anonymous Chansons of Fifteenth-Century Poetic and Musical Debats

  Adam Knight Gilbert, Stanford University.

• Homo quidam fecit Contra Virgo flagellatur crucianda : Text and Musical Subtext

  Barbara R. Walters, CUNY--Kingsborough Community College.

This is an informal compilation. We apologize for any omissions.

The International Machaut Society has several sessions at the Congress:

Session 237, Different Voices, Different Genres I: Compositional Issues in Machaut Motets, Friday, May 6, 10:00 AM, Sangren 3101
Alice V. Clark (Loyola University New Orleans), Machaut's D-Tonality Motets
Anna Zayaruzny (Wesleyan University), Voice Crossing and Identity in Machaut's Music
Margaret Bent (All Souls College, University of Oxford), Machaut's Motet 4: Hope, Memory, and Desire

Machaut Society Lunch and Business Meeting 12 noon.

Session 271, Interfacing Disciplines: Studying Image, Music, and Text in Fourteenth-Century France Friday 1:30 PM, Fetzer 2030.
Anna Russakoff (Institute of Fine Arts, New York University), A Medieval Gesamtkunstwerk: Relations Among the Arts in a Miracles of the Virgin Manuscript
Dominic Leo (Institute of Fine Arts, New York University), Singing Around a Wine Keg: Exploring Image-Music Rapports in Machaut MS A (Paris, BnF fr. 1584)

Session 334, Different Voices, Different Genres II: Compositional Issues in Machaut Motets, Friday, May 6, 3:30 PM, Fetzer 2030.
Ryan R. Kangas (University of Texas at Austin), Sacred and Profane Love: Meaning in Machaut's Motet 7
Vivian Ramalingam (Independent Scholar), By the Numbers: Machaut's Motet 9 and the Iconography of Joseph

Other Sessions Devoted to Musicological Themes

Session 78, Hans Sachs and the Sixteenth Century Thursday, May 5, 1:30, Valley I, 107
John D. Martin (Purdue University), The Three Hanses of Nuremberg: The Development of the Fastnachspiel as an Instrument of Social Criticism 1450-1570
Salvatore Calomino (University of Wisconsin-Madison), Hans Sachs's Tristrant and the Treatment of Source
Albrecht Classen (University of Arizona), The Heroic Tradition in Hans Sachs' Oeuvre

Session 161, The Liturgy in Context: Place, Performance, People Thursday, May 5 3:30 PM Bernhard 209.
Karen C. Britt (University of Louisville), Heaven on Earth: The Relationship between Liturgy and Programs of Decoration in Early Byzantine Churches
Mickey Abel (University of North Texas), Heaven on Earth: The Relationship between Liturgy and Programs of Decoration in Early Byzantine Churches
Keith Wemm (Florida State University), Passion and Pilgrimage: Exegetical Passion Sculpture and the Trier Holy Robe Pilgrimage

Session 185, The Ballad: Medieval and Modern Friday, May 6, 10:00AM Valley II 201,
Sarah Portney (University of California-Berkeley), Blancaflor y filomena: Rape and Resistance in a Pan-Hispanic Ballad
Samuel G. Armistead (University of California, Davis), Hispanic and Scandinavian Balladry: Parallels and Congeners
Richard Firth Green (Ohio State University), The Earliest Evidence for the Ballad of Glasgerion (Child 67)

Session 297, Performance and Troubadour Lyric: In Honor of F. R. P. Akehurst Friday, 1:30 PM Sangren 2204.
Michelle Bolduc (University of Wisconsin-Milwaukee), Rhetoric and Lyric Performance in Raimon Vidal
Wendy Pfeffer (University of Louisville), Humming Along: Musical Memory and Troubadour Lyric
Eliza Miruna Ghil (University of New Orleans), Gaucelm Faidit's Reputation: Artistic Worth versus Live Performance
John Haines (University of Toronto), Timbre in Troubadour Song

Session 360, Nota Quadrata: New Research in Late Medieval Music Writing , Friday, May 6, 3:30PM Sangren 360.
Michel Huglo (CNRS Paris), Towards a Scientific Study of Square Notation
Albert Derolez (Comité International de Paléographie Latine), The Paleography of Text and the Paleography of Music: Some Considerations
Randall Rosenfeld (Pontifical Institute of Medieval Studies), The Potential for Research of an Experimental Archaeology of Notation

Session 463, Medieval Song Saturday, May 7, 1:30 PM Bernhard 204.
David Nelson (Jubilatores Medieval Music Ensemble), The Estampie: Dancing to Polyrhythm
Valerie M. Wilhite (University of IllinoibsUrbana-Champaign), Per Doutz Chan: Troubadours Theorizing the Psychological Effects of Song
Karen Duys (University of St. Francis), Books Shaped by Song: Gautier de Coinci's Miracles de Nostre Dame

Session 530, Medieval Franciscans and Music Saturday, May 7, 3:30PM Sangren 2210
Andrew Mitchell (Lakehead University), The Responsoria Prolixa in Early Franciscan Chant Books
Peter V. Loewen (Eastern Illinois University), Music as Exegesis in Franciscan Sources from Austria
Katarzyna Grochowska (University of Chicago), Musical Practices at the Convent of St. Clare at Stary Sacz, Poland

Single Talks that Seem Music-Related

Thursday, May 7

Session 50, (Bernhard Brown and Gold Room), 10:00AM
Nancy van Deusen, Augustine and the Lament

Session 56, (Sangren 3101), 10:00AM
Louise Ann Hunley, Canso/Tenso: Love and Debate in the Poetry of the Trobairitz

Session 98, (Bernhard 157) 1:30 PM
Kay Slocum (Capital University), Ritual and Ceremony at the Shrine of Thomas Becket: An Examination of British Library Additional MS 59616

Session 103, (Bernhard 210), 1:30 PM
Kerr Houston (Maryland Institute College of Art), Animate Images, Accessibility, and the Geography of Trecento Lay Worship

Session 113, (Sangren 2302), 1:30 PM
Christopher LeCluyse (University of TexabsAustin), Performing Bilingualism in Medieval English Carols

Session 129 (Valley II, 107), 3:30 PM
Katherine Zieman (Wesleyan University), Lollard Liturgy
Bruce Holsinger (University of Colorado, Boulder), A Mass of Lollards

Friday, May 6

Session 198, (Valley I, 110) 10:00AM
Rocio Garcilazo (University of Texas, Austin), Constance of Mallorca and the Troubadour Tradition

Session 227, (Bernhard 213), 10:00 AM
Mark Rimple (West Chester University of Pennsylvania), The Resonance of Boethius in Sixteenth- and Seventeenth-Century Music
Neal Plotkin (Independent Scholar), Irrational Tuning: Boethius' Influence on Acceptable Musical Intervals

Session 238, (Sangren 3308), 10:00AM
Adrienne Macki (Tufts University), Authorial Gender's Influence on Women's Representation on the Medieval Stage: Antonia Pulci, Hildegard of Bingen, and Hrosvit of Gandersheim and the Women They Wrote

Session 302, (Sangren 2304), 1:30PM
Bradford Lee Eden (University of Nevada, Las Vegas), Gregorian Chant as an Influence on Tolkien's Development of Lyric and Song

Session 329, (Fetzer 1040), 3:30PM
Geraldine Carville (Independent Scholar), Cistercians in Medieval Ireland and Music

Session 356, (Bernhard Gold and Brown Room), 3:30PM
Michael Gardiner (New England Conservatory), Hildegard's Glass Words: An Analysis of Ave generosa
Rozzano C. Locsin (Florida Atlantic University), One Hildegard Bridge: Expressing Nursing as Caring Through Music

Saturday, May 7

Session 430, (Valley III, 304) 1:30PM
Philip Slavin (University of Toronto), Liturgical Responses to the Fourteenth-Century Crisis in Byzantium

Session 433(Valley III, 312) 1:30PM
Tom Spaccarelli (University of the South), Pilgrimage and Liturgical Reform in Medieval Spain

Session 471 (Bernhard Gold and Brown Room), 1:30PM
John K. Bollard (Harvard University), Playing Beowulf: The Sutton Hoo Hearpe and the Performance of Old English Poetry
Lloyd Craighill (Kansai University of Foreign Studies), The Reconstruction of the Sutton Hoo Hearpe: A Luthier's Thoughts

Session 486 (Valley III, 303) 3:30PM
Susannah Crowder (Graduate Center, CUNY), Performance Culture in Early Medieval Metz: Roman Revival and Liturgical Rite

Session 488, (Valley III, 306) 3:30 PM
Nancy Bowen (Claremont Graduate University), Stringed Musical Instruments as Body in the Middle Ages

Session 511 (Fetzer 1055), 3:30 PM
Susan L. Einbinder (Institute of Advanced Study), A Hebrew Troubadour and his Scribe: MS Munich Cod. Heb. 128

Session 526 (Bernhard Gold and Brown Room), 3:30PM
James L. Zychowicz (A-R Editions), Importing Tristan to Film: Bringing Wagner's Music into the Score

Sunday, May 8

Session 563 (Fetzer 1010), 8:30AM
Agnes Bos (Musee National de la Renaissance, Chateau d'Ecouen), The Liturgical Topography of Paris: Struggles of Power during the First Procession of a New Bishop

Session 605, (Fetzer 1005), 10:30AM
Michael W. George (Millikin University), Art and Music in the Arthurian Classroom

Session 509, (Fetzer 1055), 10:30AM
Samuel Robles (Florida State University-Panama), Comme femme desconfortée: A Vision of Our Lady of Sorrows

Friday 5:15: International Society of Hildegard von Bingen Studies, business meeting

There will be several musical performances.
Friday 5:15: Silence: A Medieval Adventure in Story and Song (Dolores Hydock and PanHarmonium)
Friday 5:45: Hildegard's Bridges to Infinity through Music (Second Instrumental Unit, Juilliard School of Music)
Friday 8:00: Paris 1200: Chant and Polyphony of Twelfth-Century France (Lionheart; tickets $20)

For comments about this website, or questions about Musiclogy at Kalamazoo, send email to Cathy Ann Elias, email: elias "at" cs.uchicago.edu